No, it’s not the start of a corny joke!
Each year, Orcas Artsmith awards Artist Residency Fellowships for artists, scholars, and writers to create new works. The week-long residency takes place each January at Kangaroo House B & B in Eastsound, WA. Up to five fellows are selected, and people apply from all over the U.S. for this opportunity for inspiration on Orcas Island.
This year, four of the fellows, along with Artsmith founder Jill McCabe Johnson, joined me for several hours to write on the Interisland ferry.
They boarded on Orcas around 12:30 pm and were hard at work when the Tillikum stopped at Lopez and I walked aboard, too, for my regular time as Writer-in-Residence. What a boon for me, as I had such accomplished companions during my two-and-a-half hour writing stint that day. Here’s a bit about them, as well as a peek into what they’re working on.
Debra Babcock has been weaving fine and performing arts with healing arts for over forty years. Her blog, Dune Shack Dharma – Making Art Out of Everyday Life and Getting Healthy in the Process, is a prime example. The founder/director of Harmony Network Chiropractic and Yoga, and founder of the Heron Way Writing Group, Debra’s editorial articles featured regularly in “Cape Healing Arts” magazine. A long-time visitor to Orcas Island, Debra and her husband now call it home. That recent move, along with Debra’s many years living on Cape Cod, are major themes in her memoir-in-progress.
Jennifer Bullis is author of the poetry collection Impossible Lessons (MoonPath Press). Her manuscript “Wild-Caught Gods” was finalist for the Moon City Poetry Award, and her work appears in numerous literary magazines. She is currently librettist for a cantata in the voices of the mythical Sirens, to be performed in Seattle and Cleveland. While at Artsmith, Jennifer’s working on poems about clear-cutting of the last urban forest in Bellingham as well as “a surprise essay I didn’t know I was going to write.”
A move to Austin and a journalism background prepared Gail Folkins to write her first book, Texas Dance Halls: A Two-Step Circuit. Homesickness influenced both her second, a memoir titled Light in the Trees, and apparently a move back to the Northwest. She now teaches creative writing at Hugo House and volunteers for environmental groups. Gail has two projects on her desk: a collection of essays about “getting along with elk, bear, and other creatures we live next door to in Snoqualmie,” and a young adult novel that is horse-themed. “I mostly write creative nonfiction,” Gail says, “ but I always wanted to write a horse novel.”
Jeremy Leon Hance is a freelance environmental journalist who writes for The Guardian’s “Radical Conservation” blog. His Life is Good: Conservation in an Age of Mass Extinction, is a short collection of environmental essays. Hance lives in Minnesota with his wife and daughter, and when he arrived for the residency, he learned his grandparents met in Anacortes! He travels a lot for work, and the travel memoir he’s working on will include “stories that happen on the way” as he copes with anxiety and depression. “I hope it will be funny and poignant.” And likely familiar to those of us who also struggle with travel stress.
Michelle Goodman, an independent journalist, storyteller, and creative nonfiction writer, also was a fellow but was unable to join us on the ferry. Her writing has appeared in the Washington Post and the New York Times among many other news outlets, as well as in several book anthologies. The author of two career guides for artists and creative workers: The Anti 9-to-5 Guide and My So-Called Freelance Life, Michelle is also co-curator of Working Stiffs, a Seattle reading series about work.
Jill was able to get away from her busy desk to join all of us, too. Her latest book, the poetry collection Revolutions We’d Hoped We’d Outgrown, is shortlisted for the Clara Johnson Award in Women’s Literature from Jane’s Stories Press Foundation. Jill’s Diary of the One Swelling Sea won a Silver Award in Poetry from Nautilus Book Awards. She also blogs at Chanson d’Aventure.
Artsmith, which Jill founded, is a non-profit organization promoting arts education and the creation of new works of art through residencies like this one, workshops and retreats, literary events, and exhibition and performance opportunities. Along with me, Jill also serves on the board of the Orcas Island Lit Fest. I don’t know how Jill makes time to write, but as we wrote and rode today, she was “tinkering with an essay collection about maps and wayfinding. But it’s a big, tumultuous mess right now,” she says.
Jill likely doesn’t know what a comfort her words were to me that afternoon as I tinkered away on my own essay collection about the Salish Sea and climate change. Surrounded by all of these writers, some with furrowed brows while tapping keyboards and scribbling in notebooks, I was heartened to keep at it.